David and Goliath

Posted by Matt Hopper, 1 October 2009 12:23



Damien Hirst's feud with a 16yo street artist named Cartrain has probably become the most controversial story of his already controversial career. It would appear from public opinion that it's not OK for a rich artist to use his power to bully a young artist who has emulate him by making art with found materials.

Maybe this storm in the British artist's tea cup has something to do with his hurt pride due to the Hirst portrait that Cartrain infiltrated into the National Portrait Gallery in London last year. He's a cheeky little sod no doubt but a bloody clever one to boot. It's a pretty good portrait and now remains in the gallery's collection.

Ironically, after making over $300 million from his art, Hirst has now instructed his lawyers to demand 200 quid from Cartrain for unauthorized usage of his artwork's image. So far Cartrain has refused to pay and has become world famous as a result. It would seem that history does repeat itself with David laying another blow on Goliath.





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    2 comments

  • Comment by James Innes

    1 October 2009 18:46

    The irony of all this is Hirst has been accused of ripping off other people art for years and I believe has made pay outs for it too!

  • Comment by Lou Weis

    1 October 2009 20:42

    Long live Saatchi. He created Hirst and now the artist, in the absence of formal or conceptual innovations, can only push out the boundaries of the relationship between finance and art. Given that he has worked with the technology of death (taxidermy) and of life preservers (painting pills) it seems deflating that Hirst no longer has any observations that accurately relate to our fear of both life and death. Instead he is investing in orgies: skulls, sales mechanisms etc.

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